[ Autor Adrian Trasca ]
 Tradition, force, majesty. These are only three from the tens of words that can describe the annual Festival held by the Verona Arena which has come, behold, at its 99th year. And, just like a photo can say more than 1000 words, a show seen at the Verona Arena says" more than 1000 articles that can only depict a single idea: an arrow indicating towards the Arena"!
Built in the first century A.D., the Arena was uses for the gladiators fights, tourneys, tours, but also as a market place. The Verona Arena is one of the best preserved amphitheatres in the world (the third after the Rome Amphitheatre and El Jem Tunisia). Starting with the XVIIIth century, the Roman Arena was used to stage plays, but from 1913 it is an inimitable and steady centre for various cultural activities, such as opera, ballet and theatrical plays with big Italian and international artists.
Greater in size and importance than the Verona Arena is only "Colosseo", in Rome. It has a 138, 77 m on 109, 52 m elliptical plane at the exterior, with a 73, 68 m on 44, 43 m interior platform. As one of the biggest constructions in the world, the Roman Arena can host, at present, over 15.000 people in the same time. In antiquity, the amphitheatre could host over 30.000 spectators, but today, it is only a part from the original structure because of an earthquake from 1117 that partially destroyed the building (including the original faade, made of white and pink Valpolicella chalk).
For this year, the organisers of the summer annual opera Festival at the Verona Arena prepared 6 shows, in different distributions: "Aida" by Giuseppe Verdi - present in almost each season, "Turandot" and "Tosca" by Giacomo Puccini, "Don Giovanni" by Wolfgang Amadeus Mozart, "Carmen" by Georges Bizet and, of course, "Romeo and Juliet" by Charles Gounot, Verona is the city of the eternal famous lovers, isnt it?
Before the show, the spectators light candles in the tribunes, creating the feeling of a feast (which each show actually is), but also of the spectator taking part, somehow, in the performance on the scene. There are shows where small actions happen among the spectators, but the huge scene of the Arena offers the organisers the possibility to create" two smaller, secondary scenes, to the right and to the left of the main one, scenes that are closer to the spectators and on which less significant events take place.
The props are the strength of the shows at the Verona Arena. Always imposing, the vast space of the Roman amphitheatre is fully exploited by the organisers, as sometimes, besides the main scene and the two smaller lateral scenes the backstage tribunes are an integral part of the props, as in "Aida", when they are populated with two rows of soldiers holding lit torches, or in "Tosca", where the big cannon announces Angelottis escape.
The voices, too, are good or very good. Even if not always very good, I have never heard a voice that I could call bad. A big problem is, of course, the large space, that requires a good volume and an intense training in advance, but almost all the singers have passed the challenge successfully.
After all, an opera show at the Verona Arena is unforgettable and it is recommendable even for the less fanatic lovers of this music genre, not to mention the incorrigible music lovers. The experience is memorable and, if the financial means are not very big, the Verona Arena should still be for them, but not only, what Mecca is for the Arab world, namely an experience had at least once in a lifetime! |